The Skeeter Daddle Diaries

My neighbor not very far up the road lives at the end of an unpaved road, really a long driveway with two other houses before his and his partner’s. Two women own the house on the right as you come in and a couple planning to move are selling the hacienda on the left. So what we got here for sale is a short dirt road way down the island, no view, a remote backwash, an old double-wide trailer, asking just shy of a half million dollars, maybe you guessed, hard to sell.

My buddy tells me the seller, the would-be seller, wants him to ask the two ladies across from his Windy Rear real estate sign if they would take down their fairly large weathered gay pride rainbow flag they’ve displayed for long enough that the rainbow looks bleached. “What’s our thinking here,” I asked Clyde, “ he doesn’t like gays?”

I probably ought to mention Clyde and his partner, Will, are gay too, they just don’t fly flags to advertise that fact to us hetero locals. “No,” Clyde told me, “he’s just worried having lesbian neighbors will scare off potential buyers.” Probably a fact not required by state law to disclose to prospective buyers along with termite damage, leaky roofs, cracked foundations and non-white neighbors, just another example of woke politics at work in our blue Washington State.

Clyde says he’s just trying to sell and move on, no homophobia, strictly straight forward, small pun intended. “Why doesn’t he just ask the women himself? Why bring you into it?”

Clyde just shrugs, hell if he knows, but now he’s wondering what to do and god only knows why he’s asking me, the Sage of the South End, for advice. Desperation, at the least, demanded a second beer. Finally, fully acquainted with the facts and only slightly inebriated, I offered counsel.

“Put a rainbow flag at your place too,” I said. “And rename your street. Plum Tree Lane, uh-uh. Queer Avenue, maybe. Better yet, Gay Way. Ecstasy Estates or LGBTQ+ Heights. Lesbian Lane. It’s a new day on the South End, Clyde. Tell your neighbor he needs a new realtor, one who’ll advertise to the gays.”

So far it looks like Clyde isn’t taking my advice. Still Plum Tree Lane. And the place is still unsold. I know, I should have been a realtor.

I got a pal who wrote a really good book on the Barefoot Bandit, well researched, tautly written, humanely told. He’d hoped to parlay that into a movie with the Academy Award winning screenplay writer of Milk and J. Edgar, but something went sour beside the kidney pools of Hollywood and the movie lapsed beyond the internet interest expiration date. He’s holed up at his cabin on Orcas, doing what most of us artists do, waiting for the phone to ring.

Ten years ago I had breakfast with a local artist here on the South End. He’d just finished a huge mural at the new theater and their outside lobby of the restaurants that ringed the place. He was depressed, he said, now that the project was over. He couldn’t understand it, big artwork installed to great acclaim, good money, all good. And now he was depressed. He poked forlornly at his chicken fried steak. That project was a yearlong undertaking and he figured it would open the floodgates to more of the same. Fame and fortune would surely follow.

I gulped at my 3rd refill of coffee, set it down empty and said, “Post partum depression.” He looked at me with a mouthful of heart attack and said, “What?”

“You got the afterbirth blues,” I said with some authority. “You’ll look at the other stuff, the usual paintings, as piddly-ass. The big stuff as an adrenaline rush. When it stops, the rest seems blasé’ It’ll pass … or else you’ll get another big one.”

I just went two years in withdrawal. They don’t make methadone for this. There’s no cure. And there’s no prescription. You wait for the Next Project, cold turkey and sweating in the wee hours of the night in a blood fever.

Like I told Orcas Bob, you’d think it would get easier for us Old Hands. But it doesn’t. I like to think — when I’m partially rational — the hunger lets us keep an Edge. Too much success, we’d get fat and lazy. Probably go to socialite parties, get accustomed to the applause and the alcohol, then squiggle out the next artwork by rote and routine. Maybe we’re actually the lucky ones. You know … if that phone ever rings again.

Clyde stopped by our place yesterday, wanted to know if I wanted some wood flooring. Clyde’s notorious for scrounging lumber — beams, 2×4’s, plywood, chopped off rafters and joists full of nails — he takes it all, he and his partner Fred. They’re true South Enders, no building parts are too unworthy for future projects. No oddly shaped root or burled tree trunk couldn’t be imagined as a trellis or a doorway or a garden gate. Their greenhouse/apartment is a testament to homesteader ingenuity, from the recycled plumbing for a radiant heat floor to the gnarly limbs of a cedar tree that frame a window made from sliding glass door panels. The roof is raftered with bridge beams and salvaged lumber, all covered with earth and plantings, a green ecosystem.

So when Clyde asks if I want some wood flooring, red lights go off and a siren shrieks deep down in my hippocampus. “You don’t want it yourself?” I ask, meaning, what’s wrong with this flooring if you boyz are turning it down? Clyde avows how they don’t need flooring and anyway, it’s all mismatched remnants. Like they don’t have mismatched remnants from one end of their property to the next??? “Use em for furniture,” I advise. “I took my leftovers and made cabinets and bookcases, banjos, hell, it’s hardwood.”

“We’re jammed up,” Clyde says sadly. “Stuff we got now is getting powder post beetles. We couldn’t use it all in the rest of our lifetimes.” Which is true! They’re beyond Scroungers now, heading toward Hoarders. It’s a fine line, I know, and only a packrat like myself who’s scrounged most of his life is qualified to define the slip from Collector to Psychopathology. Clyde, I diagnosed, had stepped back from the Abyss. Enough was finally enough. Clutter was one thing, tunnels to the kitchen and bathroom quite another.

No mas! There comes a time when a sane man knows implicitly to STOP. Before it’s too late. Before madness descends like a dark curtain blotting light and reason.

Today I picked up 10 boxes of hardwood flooring, enough to lift the front end of my truck. No, I don’t really need flooring. But, you never know, right? Now if I can just figure out where to store all this wood until I need it….

Every blue moon or so I stop loitering in our gardens and tune in briefly to the world at large outside our gates. Actually I don’t so much go searching for it, it intrudes on me. Folks who say the world is shrinking, well, from my foxhole, it seems more like it’s expanding, same as some of the invasive weeds that come creeping in the night, magically appearing next morning.

Try as I might, hoeing isn’t all that effective. Technology, once unleashed, is pretty much an onslaught. Everyone I know walks around with it strapped to their belt, parked in their purse, stuffed in a pocket, carried in their car, enveloping them in a cyberbubble they now feel uncomfortable without. No cellphone, no laptop, no I-pad — they feel naked and vulnerable. Doesn’t matter I don’t attach the umbilical myself, the digital electromagnetic pulses lap at my brainpan anyway. The engineers, aliens to me, have won the battle for our consciousness. More and more we are ruled by technocrats, those busy little beavers intent on morphing their rules and parameters and metrics onto our flesh and bones. Or simply working 24/7 to create Artificial Intelligence… They imagine a future of exponentially increasing efficiencies. They argue this will be good for us humanoids, a gift from the scientists and technicians. Even quite a few of my fellow artists have begun to believe this.

Lately I’ve been hearing the drumbeat to scale back Humanities in universities, substituting more degrees that lead to high paying jobs, degrees in programming, coding, engineering, all those ‘practical’ careers. But I think we need more impractical degrees. We need musicians, sculptors, painters, writers, dreamers. We need to tether ourselves through them to what makes us human, not cyborg.

A sea change is coming, a digital tsunami, a revolution that will implant its seed in all of us. Technology is easy now — being human, soon that’s going to be very hard. Soon most of us won’t know the damn difference. The difference may just be Art. Humanities, well named. And I may be forced, reluctantly, despite a lifetime of self-deference, to admit we artists are somehow special after all.

When I was a hopeless romantic … well, when I first realized I was a hopeless romantic, a state of mind that for the most part has afflicted me my entire life, I was a fan of Richard Brautigan. Brautigan was a product of the ‘60’s, as was I and possibly as were a few of you, altho you may not have scrambled the eggs in your brain the way we did. Richard eventually shot himself in those eggs, depressed that his fame hadn’t followed him into his later, sadder years. I was saddened that he couldn’t just accept the trajectory of his career and maybe make the necessary adjustments, but then, fame isn’t following me much of anywhere so why try to walk a mile in Richard’s boots.

In 1966, hot on the heels of Trout Fishing in America and A Confederate General in Big Sur, he wrote a book called The Abortion: An Historical Romance 1966, which was about a guy who kept a library for anyone who wished to drop off their unpublished or unpublishable manuscripts. Kids who wrote in crayon, people writing their boring memoirs, teenagers spilling their angst-ridden guts, you name it, the librarian in the novel accepted, quote, “the unwanted, the lyrical & haunted volumes of American writing” unquote, anytime day or night, no questions asked. For a would-be wannabee writer, this was a pretty notion. Nowadays, of course, we got the internet for all that. I even have a blog … so I guess I’m the librarian of at least those slim archives.

And of course there are Brautigan Libraries all over the country from Vermont to Washington where manuscripts can be dropped off and where they’ll presumably be cared for and probably remain unread. Literature, apparently, is a lot like news in these blog-riddled days where we’re awash in unedited, un-verified flotsam washing up on the debris-strewn beaches of our consciousness. For all I know, this, like plastic, will be the defining characteristic of our epoch. Facts? We don’t need no stinking facts. Put that on the gravestone of the 21st century.

Walking recently with an old friend who’s a writer, we got to talking about our late life chapter as artists. In the course of our conversation strolling the moss and fern world of the Sauk River up north, meandering under huge fir trees and listening to the language of the river, we commiserated about the publishing world and gave voice to the usual lament of writers since time immemorial. Meaning, who reads us?

Which eventually gives rise to the question, why do we write? Would we do it if we knew pretty much nobody would read what we wrote? Neither of us have anything but a puny audience. We’re the perfect candidates for Brautigan’s Library. Haul those unpublished manuscripts in late at night and ring the silver bell at the entrance, let the attendant put them on a shelf while we walk away.

My friend may have a different answer than mine, but I would write if I were the last man on earth. For the same reason I play a song on my banjo even if no one is around to hear it. For the same reason I make stained glass windows without caring if I sell them or not. For the same reason I build furniture and guitars and too many banjos, none of which I’ve ever sold. For the same reason I built a glass studio and a sailboat and the house we live in now. Because … in the end what we’re creating isn’t just a poem … or an acoustic guitar … or a song … or a stained glass window. We’re creating our life and these are the bricks, these are the doors and the windows, these are steeples. Corny as it sounds, this is why we write, why we make music, why we dance, why we grow a garden, why we get out of the bed we’ve made every morning. Because somewhere along the line we realized life is our real canvas and the world is our creation.

The folks who tell me, and there are plenty, oh, they don’t have a creative bone in their body, couldn’t paint if they took classes the rest of their lives, well, I’ve got bad news for the artistically invertebrates. We‘re all artists. We just don’t know it yet. I was pretty old when I discovered I had more than just a funny bone and if you want to know the truth, if someone had told me I’d end up becoming an artist, I’d have laughed in their face. I couldn’t draw my way out of a paper bag, couldn’t make a decent stick figure much less a portrait, never took an art class, didn’t come from a family that appreciated art. My point is that art isn’t necessarily something you’re born with. All those stories of Mozart writing symphonies at 5 or Michelangelo painting masterpieces as a kid, forget about that, those are what stop us from even trying. Those are the myths that need to be ignored. Art isn’t necessarily the Sistine Chapel mural. Sometimes it’s just the way you arrange a bouquet of flowers or the change you make in a recipe for dinner. Art is simply … and as complex … it’s simply self- expression. It’s a way of seeing the world that’s uniquely yours. And in the end, it changes the world.