The Skeeter Daddle Diaries

The Supreme Court of Alabama just decided that a fertilized embryo, frozen even, constituted a living human being, meaning that if you killed little Jimmy, you’re liable for murder. The Head Justice declared this was the will of God. Hard to argue against the will of God, that’s for sure. Probably not too long before sperm is considered human life, maybe ban contraceptives that prevent the little wigglies from doing what the Lord Almighty intended them to do.

Kinda hate to admit it in these theocratic times, but back 53 years ago I had a vasectomy. I know, the statute of limitations over the murder of a million potential lives may not apply. And even if it didn’t, Eternal Damnation might still be in store for this boy. All I thought I was doing, mistaken though it might have been, was trying to avoid an unwanted pregnancy. At the time I really didn’t consider myself a serial killer. Alabama might.

Maybe the solution to the ‘immigration problem’ is really more unwanted pregnancies, a boost in the low wage baby force to take those jobs nobody wants now except the immigrants. Get rid of legal abortion, maybe ban all contraceptives, forbid sex ed in our schools, let the Lord’s will be done, hey, we don’t need cheap labor from the south lands, we’ll have plenty right here. Course, the local yokels might not pick our crops, build our houses, landscape our lawns or dig our ditches — not for sub wages.

If it costs a little more, if we need to raise minimum wages, if taxes have to go up, well, I’m okay with that, I’m completely chill. Just don’t put me on trial for first degree murder. Don’ put me and my fellow murderers digging ditches. We’ll get our justice in the next life down in a burning Hell. Where I’m damn sure I’ll be in good company.

I was listening to some talking head today describing the kids entering the Job Market. They wanted to work at home, at their own computer stations, alone. Skip the co-worker interaction, they really haven’t learned social skills. Unless you count Tweeting.

I got friends whose kids never make eye contact, who never look up from their X-Box, who have no need to say hello, who live in a digital suburb of my reality but never find a reason to wander over for a Look-See. The gulf between us is huge and growing rapidly into a cultural chasm.

My folks always believed us kids were better seen, not heard, but they made sure we said hello to guests and answered a few perfunctory questions before we scurried to our rooms or the den. The kids — and especially the grandkids — of my pals, they’re beyond social graces. I suspect the workplace of their future will forego watercooler banter and co-worker etiquette. Might just as well let em work at home in their bedroom and send their reports at the end of the day.

The only problem I have with all this is that us Boomers still have to deal with them. When we’re gone, they can tweet and twitter to their hearts’ content, they can social media long distance, they can avoid face to face human interaction and lock into video games, stream Netflix and update their Facebook. But meanwhile I still have to stand next to cellphone users and my buddies’ kids playing video. When we’re gone, they won’t even notice. But it’s going to be a different world, a lot less personal, way less intimate. I suspect they’ll enjoy the peace and quiet. I’m trying to do the same….

Folks ask me why I write these odd little vignettes of life on the salty South End. I always want to answer something like Because I have to. I have no choice. Us artists love to talk that way. Mr. Picasso, Pablo … why do you paint? To live, my little friend, to live. We never say, So I don’t have to work, you damn fool, what did you think?

We’re an odd society, us Americanos. We tend to exalt the Artiste as somehow unique, special, a rare breed, a person on an exalted plane. Probably the result of mental illness or malignant non-conformity. Prone to alcoholism, drug abuse and extreme hedonism. Who suffers more due to sensitivities more painful than herpes and who dies an early death with only one ear remaining.

We seem to like the notion of Starving Artists. Only through suffering, I guess, can you break the bonds of normality and ascend into true inspiration. Maybe explains why we keep minimum wages low — we’re trying to help folks find their Muse.

Art is a form of insanity, we think. Why else would a grown yahoo live in squalor, risk the hostilities of friends and family and neighbors alike, all for a passion that rarely makes a living and is always an invitation to cruel criticism.

“Let me show you my newest painting. Be honest, what do you think?” Do you folks do that??? Would normal people do that??? And the sad part: artists are the very WORST at rejection. Every review, criticism, rejection and commentary is a verdict on their creation. On them! Imagine the neighbors knocked on your door and gave you a criticism of your kid. “Did a nice job raising Jimmy, pal. Spittin image. Too bad about that shoplifting incident and that pregnant no-account girlfriend of his. Next time maybe get a vasectomy. Just thought you’d like to know. By the way, my daughter, Jennifer, she just got accepted by Harvard Medical School.”

So why do we write … or paint … or put broken glass back together? I could lie to you, I could spin a web, I could wax romantic or philosophic. But the truth is if I didn’t, I’d go crazy out of sheer boredom. I’ll probably go crazy anyway, just not as fast….

Folks often ask why is it us artists don’t start a co-op art gallery down here on the South End the way most places with an overabundance of aesthetics and egos do. Truth is, we have considered it. And more than a few times, rejected the notion. Personally I love the idea of a joint venture with my fellow artisans, but … well, let’s be brutally honest here, we’re mostly a clueless lot fiscally. Whatever side of the brain controls creativity, it’s not the same side as the side that manages finance, money, business or advertising. In fact, I suspect if we ran a CAT scan on most of our brains, that area would be dark, almost as if aliens had stolen it.

Put a few dozen of us together, say, in a meeting to decide how to organize a co-op art gallery, and let me tell you, it’s an anarchist agenda right from the get-go. Maybe we just don’t get much beyond how many of our watercolors the wall space will hold. Forget leasing the building, forget who manages the sales, forget who sits the place open.

Then you got the issue of who can be IN the co-op. Everybody with a brush and an easel? Or do we jury in the members? And how much for dues? And what commission if anything ever sells? And how do you work the payback for sitting the store? And bylaws … oh yeah, gotta have rules and all that arguable rigamarole!

Ten minutes into the organizational meeting and you got total chaos. Artists vs.craftsmen. Volunteers vs. the Big Names. Rule makers vs. bohemians. Capitalists vs. hedonists. Believe me, you need to carry a weapon. Hopefully you won’t need to use it, but it’s best to be prepared. You think art is a spectator sport, you’d be at risk.

So yeah, we’ve flirted with the notion of an Art Co-op. About as likely as a Sunni-Shi-ite dance studio, you ask me. That’s why we pay galleries a 40-50% commission. To save lives, if nothing else — and probably worth every cent.

Right after college I decided to be a bum. Worked awhile at a dog pound, drove city buses, did a stint as manager of a restaurant, then went into a slow retirement. One of my gigs was as an inventory specialist. Roll into a grocery store with my team of fellow specialists, count the cereal boxes and aspirin bottles, pretend it’s accurate, give an accounting to the manager who, half the time, asked us to ‘fudge’ the numbers anyway.

One Friday night we headed to Rockford, Illinois from our home base in Madison, Wisconsin. Chico drove, for which he got a dime a mile extra. Six of us piled into his rat-trap jalopy, no seatbelts, no radio, no working speedometer and by dark we rolled into Rockford. Chico took a sharp left, my passenger door flew open and I was hanging onto it for dear life before the guy next to me hauled me back in. Chico said, “Forgot to mention it, but that door’s broke.”

We finished up our inventory at a small chain grocery, adjusted the number for the manager and piled back in Chico’s Cadillac. About half an hour later an Illinois State Trooper had us pulled over, who knows for what of many possible violations, and Chico got out to deal with the cop while the rest of us sat quietly like Guatemalan immigrants. Chico came back, handed me a yellow ticket and pointed at the glovebox. I put it in with about two or three dozen others. “Chickenshit,” was all he said.

At the last tollbooth about 2 in the morning he pulled up to the toll taker and handed him a buck. The guy in the booth surveyed the six of us long-haired motley losers before handing Chico his change. “You look like smart fellas,” he said with a smirk. “What’s a six letter word for skirt. Ends in G.” He tapped his pencil against his yellowed teeth.

Chico tossed the change in an ashtray with cigarette butts and joint roaches. “Sarong,” he said and put the car in gear. The toll taker looked at his crossword, looked back at Chico and us, the only car that time of night, shook his head in disbelief and said, “Thanks.”

We drove off across the farmlands where everyone but us slept their dreamfilled nights away. I quit the next day, never worked a crossword puzzle or a full time job again my whole life. Chico, who knows…? Probably a CEO now.