The Skeeter Daddle Diaries

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Radio Free South End was the ‘brainchild’, or lack of, of Wolfman Chuck, once a DJ for KRAP, the alternative music station down in Seattle and Gomorrah back before the city morphed into Tech Town. He claims he was ‘let go’ for pushing the boundaries of even those leftist programmers who decried censorship, something to do, they told him, with violating all manner of human decency.

Not to be so easily cast off the airwaves of Puget Sound, Wolfman laid his plans, moved to the politically incorrect South End, recruited a few of us slackers for his Bandwidth Comeback and launched Radio Free South End, a laughably puny low watt FM frequency so low on the dial even the FCC would have to stoop to find us. This was the Year of our Lord 1999, slightly before podcasts and blogblasts, sort of Old School but without much emphasis on the school. Wolfman had a primitive transmitter — don’t ask me the technical — and a tower he erected over his trailer’s roof. All he needed, he said, were volunteers to be the DJ’s when he needed a break. Of course we asked if this was criminal and of course Chuck said Hell No! Freedom of speech, he told us, First Amendment, he claimed. So sure, we volunteered, why not, we had some things to say, even some music to play.

I doubt anyone further than 5 miles north of the island’s head could hear us, but when you consider most of the bloggers out there on internet podcasts get half the listeners Wolfman got, who really cares? Chuck wasn’t interested in advertising revenue, he just wanted what he called, reverentially, airplay. Chuck played old rock and roll, early blues, strummed his homemade mandolin, told off color stories mostly about us local yokels, even played the South End String Band every damn day, probably as thanks for half of us band members volunteering to DJ.

I can remember like yesterday the day our music died. It was my morning to fill the 10 am to noon slot only to find Wolfman slumped over his microphone, headset off one ear, holding up an official looking paper from some government agency or other.

‘We’re signing off today, Skeeter,’ Chuck told me as American Pie was playing, I bet for the 16th time that morning, the last song on KINK’s brief but glorious existence. A week later Wolfman was gone, the radio equipment too and his trailer had a For Sale sign out by the road. Camano’s infamous and only radio station had put a thumb out and hitchhiked into legend.

Rumor has it there’s a pirate radio station operating off the coast up in the San Juan islands, some DJ on the run from the Feds, still broadcasting to any and all in listening range. I’m betting it’s Wolfman Chuck. Every now and then I crank my radio up and run the dial north to south, hoping, I guess, to hear a crackly South End Blues coming out of Canada on the magnetic waves of an aurora borealis, Wolfman still howling into the wind, the last real DJ fighting the corporate mega-stations. And some nights, maybe too much to drink, I think I hear him and his tinny little mandolin. Godspeed, Wolfman C!!!

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KINK, the 500 watt AM radio for the South End, recently received its FCC certification to broadcast as a bona fide public radio station. The station manager, Rhonda Bodley, made a short introduction yesterday morning at 8 a.m., something to the effect that finally the South End had its own voice. Course, for the last two years, that voice was intermittent, coming as it did from pirate broadcasts. If you happened to turn your AM dial to 490, you would have thought the Dark Ages had come to a crashing conclusion, that the rock had rolled off our cave entrance and that finally we had joined civilization. Never mind that podcasting had rolled the rock back.
Wolfman Chuck volunteered to be KINK’s first DJ. Well, the first legitimate disc jockey, spinning platters of his favorite old stuff, Jefferson Airplane and B.B. King, Van Morrison and Bonnie Raitt, all the albums and 8 tracks he’d listened to stoned out of his head, at least any that were now out on CD’s. The first song to hit the South End airwaves was White Rabbit which he introduced as ‘our theme song’. “If you remember where you were when you first heard this,” he declared, “you didn’t hear it in the 60’s. Those memories were all … ERASED!” Wolfman would laugh his psycho laugh, usually ending in a coughing jag interrupted by another song.
Wolfman’s program is called Radio Free South End. “Where the truth comes to die.” Wolfman likes to announce it as four hours of Not-So-Easy-Listening, which is true, not so much for the music format as Chuck himself. He tends to ramble between songs, reminisces about the Golden Age of the sixties, extols acid rock and waxes nostalgic over everything from the Peace Movement to Timothy Leary, all in a sleepy stoner baritone punctuated by embarrassingly long pauses. He screws up the song credits, mangles syntax and punches wrong buttons for station ID when he meant to hit a public service announcement.
But … as Wolfman likes to tell us every few hours, “They pay me exactly what I’m worth. Nada. Zilch. Zip and zero. Speakin of which, this next tune is a million dollar winner … Cripple Creek with our own South End String Band!”
Like the man sez: not so easy listening.

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